Feedback: When to listen and when to disregard


Let’s be honest. No-one likes criticism, even when we know it is good for us. Even constructive criticism is like medicine that tastes disgusting but cures a horrible illness. The wisdom is to know when to take it.

However, stretching this metaphor a little further, medicine should not be taken when one is healthy. You cannot please everyone all the time, and on occasion it is important to stick to one’s guns when feedback is negative on one’s writing.

Self-diagnosing whether my books work is essentially impossible whilst writing them as I am too close to the material, which is why I rely on the feedback of trusted people. However, I do so with the following in mind:

  • The individual sensibilities and personality of the reader – This is critical. Some are more naturally disposed to like one kind of fiction over another. I actually think it sometimes helps to give your writing to someone who isn’t the intended readership, in order to gain a more objective view. However, I fully appreciate this can be a two-edged sword. The trick is to find someone who won’t say they hate it, say, simply because it is for children or science fiction.
  • The reader is just one person – Sometimes even our nearest and dearest will dislike something beloved by countless others. It is worth getting a few opinions, and you may find that more people agree with you than with the reader who thought you should change this or that. Again however, getting feedback from too many sources can be problematic, as you risk diluting your product by hearing a multitude of different opinions.
  • Sometimes you need to stick to your vision regardless – When I submitted my most successful novel Children of the Folded Valley to mainstream publishers, one showed considerable interest, but wanted me to rewrite the book as a third person narrative. This was, to me, an absolutely inexplicable request that fundamentally changed the nature of what I had written. I refused and self-published. Given the subsequent overwhelmingly positive feedback, I’d say my instinct was correct.

All that said, sometimes I have tested early novel drafts with multiple people and got the same feedback again and again on pieces that aren’t working. When that happens, when the readers I trust all agree, I tend to listen.

Feedback and criticism is a perilous balancing act, but writers desperately need it. It may sometimes be an unpleasant medicine to swallow, but in the end, I hope my novels are healthier for it.

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One Response to Feedback: When to listen and when to disregard

  1. From Neil Gaiman to Brandon Sanderson, they say the exact same thing. Fix things that most readers have issues with and for the rest use your own judgement. I suppose that what should be paramount is what you as an author are actually trying to achieve?

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